Consistency of voice

This is something I struggle with, especially when I’m writing a historical. My typically breezy rom-com voice tends to intrude and it makes the story jerky. I just finished — and yes, I actually finished it because I wanted to find out what happened — a book where the author couldn’t seem to decide between contemporary slang and the frou-frou language of her fantasy otherworld. The characters would say something like ‘you have seen to me so pleasurably’ in one sentence, then in the next, it would talk about kicking her legs apart like a cop frisking a suspect.

Umm. That just doesn’t work for me. And it was a valuable lesson to see it all laid out so plainly. Makes me watchful of the language I use.

The nice thing about the Steampunk is that even though it’s set just before the turn of the century, it takes place in the American West and I can be a lot more casual with my language than I could in, say, my straight Victorian historical romance.

3 Responses to “Consistency of voice”

  • bettie says:

    Good point Sela, and good post. Having more than one first person WiP, consistency of narrative voice is something I’m always working to improve.

  • December says:

    I’m just excited someone I “know” is writing steampunk. I can’t wait to read it!

  • Sela says:

    I’ve been fussing about voice for years, Bettie. I figure if I can get the voice right, the story will work.

    Isn’t Steampunk fun? I’ve been reading everything I can get my hands on and it’s interesting to see how everyone interprets it differently. For some, it’s just set dressing, for others, it’s an integral part of the story.

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